'Surprise! Surprise!' it seems to sing. For Jesus looks as surprised as Mary. 'I'm risen!' Jesus seems to be saying with his holey-handed gesture. 'It IS you!' signals Mary, her very feminine body stretched by the experience of this out-of-body resurrection experience.
Here are some photos from different angles, which emphasize the angular nature of the figures in the south transept of Ely Cathedral. What I notice is how important the hands and arms are to this piece. Hands are just so expressive.
What do you think is happening here? Is Jesus about to clap? Is Mary about to faint? - remember this was created in 1963; was the artist rather informed by a less than liberated understanding of a woman's response that would not involve a swoon? I am simply making the observation. However, there is something strong and powerful about his Mary which perhaps belies that interpretation. She is portrayed not as some meek or mild woman but as one who has presence and a lithe power.
For there is also a tremendous sense of energy in the piece. Resurrection energy! This is life, in all its fullness (John 10.10). This is not a whimper, nothing tentative here. It is almost an explosion of joy. It could be that Jesus is caught in mid-movement, he has clapped his hands in front of his face to wake himself (or Mary) up and is about to continue that contra-circular movement. Perhaps it is a dance we have here, caught in mid-expression. A resurrection dance.
When was the last time you had an unexpected and good surprise which took your breath away? Did you doubt you heard the news right? Did you ask for it to be repeated? Did it suck the breath out of you? What did your hands want to do in response? What did your body teach you? The good news of the resurrection is a bodily experience. We believe also in the resurrection of the body and life eternal. Here in Lent, on this wiggly path to the cross, it is good to remember the destination beyond it - life in all its fullness, resurrection life, which begins here and now.
I see a woman, and particularly a man, who look like they have been liberated from a concentration camp. Yes, they do look joyful, but there is something deeply sad about the sculpture too. Jesus is almost skeletal. It is obvious he has endured much suffering. Although Mary is very slim, it is obvious she has not suffered to the same extent.
ReplyDeleteTheir hands are the most expressive parts of their body. Jesus points upwards. I wonder if this is the point at which he tells Mary she should not touch him:
John 20:17
Jesus said, "Do not hold on to me, for I have not yet ascended to the Father. Go instead to my brothers and tell them, 'I am ascending to my Father and your Father, to my God and your God.'"
Mary looks as though she is trying to see what Jesus is pointing out.
May we have the grace to see what Jesus points out to us.
Lord Jesus, open our eyes to what you show us. Open our ears to hear your voice. Let our mouths speak your word. Use us for your work.
I can’t say I like this piece of art. It’s too hard edged.
ReplyDeleteSomeone else in my house said “That’s horrible. Looks like starvation”.
I, too, see in this Jesus telling Mary not to touch him. Almost saying “hands off”. Yet I am intrigued by the way their elbows meet, or brush past one another. So I see both distance between them and yet some intimacy. The risen life of Jesus will continue to be woven into Mary’s.